Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.
Recent Writings
- Neeli Cherkovski (1945–2024) March 20, 2024
- Can We Keep Both Fascism and Climate Doom at Bay for Decades to Come? December 15, 2023
- City Lights 70th Anniversary Programming November 21, 2023
- 5 Questions with Ian Johnson, Author of SPARKS: China’s Underground Historians and Their Battle for the Future November 21, 2023
- 5 Questions with Robert Glück, Author of ABOUT ED November 8, 2023
- 5 Questions with Joseph Lease, Author of FIRE SEASON November 8, 2023
- 5 Questions with Benjamin Weber, Author of AMERICAN PURGATORY: Prison Imperialism and the Rise of Mass Incarceration October 30, 2023
- Scientists Pursue Climate Activism Despite Violent Threats October 26, 2023
- 5 Questions with Jonathan Lethem, Author of BROOKLYN CRIME NOVEL October 17, 2023
- 5 Questions with mimi tempestt, Author of THE DELICACY OF EMBRACING SPIRALS October 17, 2023