Praise for Night and Day: "An unabashed paean to the fourth estate, or at least the Fleet Street branch, and those knights-errant who rode out on crusades to far-flung lands in search of a scoop, a snapshot, booze, a fair maiden and a working telex, not always in that order."–New York Times
"Stimulating [and] consistently funny."–Boston Globe
"Witty, imaginative, and theatrical."–Houston Chronicle
"A high-stakes, high-minded drama loaded with zingy speeches about the virtues and vices of the fourth estate."–Washington Post
"A masterpiece."–Weekly Standard
"This funny, exciting and thoughtful drama makes all Stoppard's other plays look like so many nursery games . . . It contains a scalding attack on the vulgarities of the gutter Press–and then defends them. But his central point stands unassailed: If you have a free Press, everything is correctable, and without, it everything is concealable."–Telegraph (UK)
"Stoppard turns in his license as a brilliant comedian of ideas for a new 'seriousness' . . . Night and Day shows this dazzling playwright very much in transition."–Newsweek
"Night and Day finds Stoppard in an interesting transitional phrase where, without shelving his own mad cap, he is trying on Bernard Shaw's dialectical beard."–Time
