A solid and informative contribution to scholarship on Afro-American literature and journalism.–
Journalism Quarterly A clearly written introduction to the shifting currents of twentieth-century political and cultural nationalism as writers and critics debated whether art justified itself or should be for the purpose of propaganda and racial progress and demonstration. . . . The implications of this study go far beyond the pages and readership of the periodicals studied in this volume.–
American Historical Review An important, path-breaking study, . . . an original and comprehensive work of scholarship, one that should be of great interest to students and teachers of Afro-American and American literature. Highly recommended.–
Choice A penetrating and well-documented study. . . . The work is replete with factual data, helpful interpretive commentary, and appropriately selected quotations. Good balance is sustained in explaining the journals' influence on politics, social movements, and aesthetics. The epilogue ties together such aspects as the interrelationships among personalities, journals, and the public. The book treats an area not dealt with adequately in the past and is a contribution of merit to Black literary history.–
Library Journal