The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.
‘Fabulous.’ Sunday Times ‘
A rare gift.’ Financial Times ‘Passionate … Vivid … Timely.’ Telegraph ‘Readable and inspiring.’ Guardian ‘Compelling … Ambitious … Poignant.’ Spectator ‘Magnificent.’ Kate Mosse
‘Riveting.’ Antonia Fraser
‘A breath of fresh air.’ Kate Molleson
‘Fascinating.’ Alexandra Harris
‘Wonderful.’ Claire Tomalin
‘Splendid.’ Miranda Seymour
‘Remarkable.’ Fiona Maddocks
‘Pioneering.’ Andrew Motion ‘
Brilliant’ Helen Pankhurst
Ethel Smyth (b.1858): Famed for her operas, this trailblazing queer Victorian composer was a larger-than-life socialite, intrepid traveller and committed Suffragette.
Rebecca Clarke (b.1886): This talented violist and Pre-Raphaelite beauty was one of the first women ever hired by a professional orchestra, later celebrated for her modernist experimentation.
Dorothy Howell (b.1898): A prodigy who shot to fame at the 1919 Proms, her reputation as the ‘English Strauss’ never dented her modesty; on retirement, she tended Elgar’s grave alone.
Doreen Carwithen (b.1922): One of Britain’s first woman film composers who scored Elizabeth II’s coronation film, her success hid a 20-year affair with her married composition tutor
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In their time, these women were celebrities.
They composed some of the century’s most popular music and pioneered creative careers; but today, they are ghostly presences, surviving only as muses and footnotes to male contemporaries like Elgar, Vaughan Williams and Britten – until now.
Leah Broad’s magnificent group biography resurrects these forgotten voices, recounting lives of rebellion, heartbreak and ambition, and celebrating their musical masterpieces. Lighting up a panoramic sweep of British history over two World Wars,
Quartet revolutionises the canon forever.