"Mulvey has a voice that carries. In the wake of #MeToo, and in an age where being active on social media demands a constant ebb and flow of looking and self-presenting, her coinage has been taken up by a new vanguard. . . . A wave of artists and audiences are actively adapting and expanding Mulvey's thinking–and now, so is the critic herself. . . . Mulvey's new book is especially pertinent, given the widening rift between her second-wave feminist peers–who are predominantly white academics–and the current 'fourth-wave, ' known for its Twittersphere stomping ground and exacting inclusivity standards. . . . Mulvey's voice cuts through generational divides, and Afterimages strikes a balance between consistency of thought and a willingness to adapt."– "Financial Times"
