"Webster-Kogen provides a rich discussion of Ethiopian-Israeli musical life at the intersection of national and global social histories, skillfully mining musical sound to reveal ideologies of belonging."–Kay Kaufman Shelemay, G. Gordon Watts Professor of Music, Harvard University
"Weaving together ethnographic and theoretical narratives, the author gives voice to her subjects and to their music creators and territories where sound and silence speak–often more loudly than words."–Amy Horowitz, author of Mediterranean Israeli Music and the Politics of the Aesthetic
"Webster-Kogan provides a rich discussion of Ethiopian-Israeli musical life at the intersection of national and global social histories, skillfully mining musical sound to reveal ideologies of belonging."–Kay Kaufman Shelemay, G., Gordon Watts Professor of Music, Harvard University
"Weaving together ethnographic and theoretical narratives, the author gives voice to her subjects and to their music creators and territories where sound and silence speak–often more loudly than words."–Amy Horowitz, author of Mediterranean Israeli Music and the Politics of the Aesthetic