"[Rosselli's] language is dominated by a sort of mechanistic quality: an emulsion that takes form on its own, out of anybody's control, the way one imagines it goes with the most terrible laboratory experiments, tumors, atomic blasts, which are under control only scientifically but not in their manifestations of stupendousness, in their now-objective occurrence. So that the magma–the stupendousness–is fixed in strophic forms that are as closed and absolute as they are arbitrary.... I can't remember the last time I encountered anything of this kind so powerfully amorphous, so objectively superb." –Pier Paolo Pasolini