"If history is the public and collective, Hillman is historically engaged She is herself a 'resister.' ... Section titles¬–'Of International Waters, ' 'Of Communal Authority, ' 'Of the Months When you Work & the Months When you Can't, ' and 'Of Local Creeks & Aquaducts'–identify her work as respectively internationalist, socially-committed, conscientious, and eco-poetic. She writes out of and to the society in which she's located."–Fiona Sampson, Poetry
"How does one engage in antiwar and environmental activism while living a comfortable Bay Area life? How can one be an effective voice for change as a writer of experimental, oblique lyrics, often influenced by Gnosticism and other esoteric practices? Hillman meets these challenges with good humor and ingenuityI admire Hillman's determination to bring such unlikely influences together."–Jeff Gundy, The Georgia Review
"Here is a woman alive to the contradictions and obscenities of modern American power, who can notice the smallest details of life and rejoice in them, who sanctifies the waters of life even as she watches them being destroyed by the alleged progress of capital, and who thereby becomes a contemporary Allen Ginsberg and Denise Levertov, updated and refined through her own unique sensibility and sensitivity to rhythm and paradox."–Tikkun
"Hillman's Practical Water is moving and exciting."–Janet McCann, Magill's Literary Annual
"If history is the public and collective, Hillman is historically engaged She is herself a 'resister.' Section titles–'Of International Waters, ' 'Of Communal Authority, ' 'Of the Months When you Work & the Months When you Can't, ' and 'Of Local Creeks & Aquaducts'–identify her work as respectively internationalist, socially-committed, conscientious, and eco-poetic. She writes out of and to the society in which she's located."–Fiona Sampson, Poetry
"A collection as wise as it is finely crafted, Brenda Hillman's Practical Water is a remarkable addition to this accomplished poet's body of work."–Kristina Marie Darling, The Kenyon Review
