"Armantrout... has been writing... poems for 30 years, at first for a West Coast cult following, now for what should be a national audience... [These] poems give... the invention, the wit and the force of a mind that contests all assumptions as much as it can."–New York Times Book Review
"Armantrout's lines...should be read out loud, so that the dissonance that is her genius can make its meaning heard."–Library Journal
"These poems are bravely self-conscious, as much about the writing process as the end result. This volume examines and questions the components of poetry, and appropriate maneuver for a poet hailed as one of the pioneers of Language poetry... Two of Armantrout's previous books of poetry were finalists for the PEN USA Award in Poetry. Her work has also appeared in numerous anthologies. She is a role model for future poetry rebels, insisting that poetry as an art form is as alive as ever."–Foreword
"Armantrout... has been writing... poems for 30 years, at first for a West Coast cult following, now for what should be a national audience... [These] poems give... the invention, the wit and the force of a mind that contests all assumptions as much as it can."–New York Times Book Review
"Once associated with the controversial, difficult 1970s and '80s group called Language Poets, Armantrout has more recently emerged into sustained critical acclaim: this ninth book should see a breakthrough into wider attention... Now that American popular culture accommodates so much disjunction, self-reference and irony, this could be the year when more readers discover Armantrout, too."–Publishers Weekly, starred review