Praise for Isthmus to Abya Yala:
"This astounding book works as both summation and revision of Roberto Harrison's long-running hemispheric poetics, among the most beautiful
and powerful of our time. Rooted in surrealism, the Latin American neo-baroque, and the geopoetics of the author's native Panama, Isthmus to Abya Yalatheorizes its own mode of 'Mobilian' world-building, where the juxtaposition of words and visual art achieves a counter-ecology of
'suprarational' vision in light and shadows amid 'the business cycle of terror.'"–Urayoán Noel, author of Transversal
"What Roberto Harrison accomplishes within these pages of Abya Yala is not some super-imposed current but fiery liquefaction that ignites transparency as alchemic kinetic."–Will Alexander, author of Divine Blue Light (for John Coltrane)
"Harrison's smoke of song somehow drifts above its own finite exchange of verbs, just as Abya Yala's darkness undoes the isolation of original consciousness. . . . Harrison writes beyond the dis-appearance of poetics, where signs become therapeutic codes for experimental animals. The kindling of ash becomes something new and far from tears: we are the isthmus or what is left of it."–Carlos Lara, author of Like Bismuth When I Enter