"Lin writes provocative prose poems, fragments of arguments designed to persuade readers (or designed not to persuade them) that art should be relaxingly meaningless.... (T)his new volume owes much to gallery art; its high-concept fun and its serious provocations should get much attention from the proponents of conceptualism and the wider audience for pranks, provocations, and challenges of any artful sort."–Publishers Weekly
"Seven Controlled Vocabularies is a manifesto for present-day quasi-semi-avant-garde verbal art that is playful or sarcastic. Lin makes art out of statements and gestures that we may think he cannot possibly believe."–Stephen Burt, London Review of Books
"These pieces...are written in clear prose about mystifying subjects, as if a features section has been commandeered by some late 20th-century French philosopher, and still managed to get the early edition out. Lin let's the subject morph without losing the plot."–Poetry Project Newsletter
"Lin writes provocative prose poems, fragments of arguments designed to persuade readers (or designed not to persuade them) that art should be relaxingly meaningless. (T)his new volume owes much to gallery art; its high-concept fun and its serious provocations should get much attention from the proponents of conceptualism and the wider audience for pranks, provocations, and challenges of any artful sort."–Publishers Weekly
"A remix of modernist poet Gertrude Stein's automatic writing conceptual artist Douglas Huebler's self-reflexive appropriation of text and image, and cultural theorist Marshall Macluhan's analysis of media, Lin's work s are as readable as they are relevant."–Asher Penn, Art in America