] is epic in scope, masterful in execution, heart stopping at times, and heartbreaking at others. The meticulous narrative unfolds over 52 years and across three continents. Nothing is rushed; nothing is overlooked. We can even feel the buzz of a window pane on our fingertips as rumbling Japanese military vehicles approach along a gravel road...Lee understands that in art and in stories what is perhaps most valuable is not what can be explained but what can be felt.
-The Boston Globe
This is not a happy book, but it is a rewarding one. The Surrendered
grabs your attention-sometimes terrifying you in the process-and doesn't let go until its final moment...Its pages are breathtakingly alive.
-The San Francisco Chronicle
[Chang-rae Lee's] largest, most ambitious book.
-The New York Times Book Review
Extremely well written, powerfully moving in places.
-The New Yorker
Lee...writes dense and gorgeous prose...Lee shows great tenderness for his [characters], even as he refuses them easy redemption. The final paragraph of his beautiful and tragic novel is as sublime and transcendent as any I can remember. A.
The narrative sweep of the novel turns out to irresistible...a novel so rich in the hearty pleasures of storytelling.
A landmark novel about love and war. . . Chang-rae Lee's The Surrendered
. . . is impossible to put down.
-O, The Oprah Magazine
With his signature empathy and artistry, Lee links emotionally complex events. . . . Profoundly committed to authenticity, and in command of a remarkable gift for multidimensional metaphors, Lee dramatizes the guilt and mystery of survival in scenes of scalding horror and breathtaking beauty. . . . Lee has created a masterpiece of moral and psychological imagination unsparing in its illumination of the consequences of bloodshed and war.
Beautiful, riveting, piercingly haunting . . . The settings and times are masterfully interwoven to form an elegant, disturbing inquiry into courage, love, loyalty, and mercy. . . . This is a book to read in two or three long sittings, gulping pages, turning them as fast as possible to reach the perfect, inevitable ending.
-Kate Christensen, Elle
The odyssey of a Korean War refugee becomes first the subject of, then a haunting overture to, the award-winning Korean-American author's fourth novel.
Lee's introspective and interrogatory novels seek the sources of their characters' strengths and weaknesses in their own, and their families' stories- nowhere more powerfully than in this exhaustive chronicle of three hopeful lives tempered in the crucibles of wars and their enduring aftermaths. In a patiently developed and intermittently slowly paced narrative that covers a 30-year span and whose events occur in four countries and on three continents, the entangled histories of three protagonists are revealed. We first encounter 11-year-old June Han, traveling with her twin siblings following the deaths of their parents toward safety with their uncle's family. June's willed stoicism and suppression of fear serve her well in extremity, but they will have a far different effect on her later life-shaped when she is rescued by American G.I. Hector Brennan (himself in flight from the memory of a painful loss). Hector brings June to Sylvie Tanner, a minister's wife who runs an orphanage (and whose own demons owe much to the savagery of history in another place and another time). Each character's past, motivations and future prospects are rigorously and compassionately examined, as the author follows them after the war. In its ineffably quiet way, there really is something Tolstoyan in this searching fiction's determination to understand the characters specifically as members of families and products of other people's influences. The characterizations of Hector and Sylvie are astonishingly rich and complex, and the risk taken in depicting the adult June as the woman readers will hope she would not become is triumphantly vindicated.
A major achievement, likely to be remembered as one of this year's best books.
Lee's masterful fourth novel bursts with drama and human anguish as it documents the ravages and indelible effects of war. . . . Powerful, deeply felt, compulsively readable and imbued with moral gravity, the novel does not peter out into easy redemption. It's a harrowing tale: bleak, haunting, often heartbreaking and not to be missed.
A completely engrossing story of great complexity and tragedy. Lee's ability to describe his characters' sufferings, both physical and mental, is extraordinarily vivid; one is left in awe of the human soul's ability to survive the most horrific experiences.