National Bestseller New York Times Editor's Choice A Best Book of the Year fromNPR, Esquire, Self, The Boston Globe, the San Francisco Chronicle, the Portland Mercury, Jezebel, Time Out NY, Buzzfeed, Vox.com, Refinery 29, Electric Literature, LitHub, Entropy, The Morning News, and theFinancial Times An Indie Next Pick One of the Most Anticipated Titles of 2016 by Entertainment Weekly, Wired, Refinery29, Huffington Post, Buzzfeed, BBC, Bustle, The Millions, Flavorwire, Book Riot, Brooklyn Magazine, and Bookish. A Guardian Best Book of the Summer "The Queen of the Night joins Tipping the Velvet and The Crimson Petal and the White as the rare historical novel in which the setting may be old, but the writing makes everything feel brand new. Alexander Chee has written a subversive, sexy epic about a young American girl who struggles more than her fans will ever understand on her way to eventually become a highly celebrated soprano at the Paris Opera House. Lillet Berne's dramatic rise to success is all the more exciting because of all the wonderful details Chee includes about her life in the late 19th century. The descriptions of her dresses alone are worth the price of this book, and Chee's knowledge about opera is such that you can almost hear the music when reading his words. But for all the research and historical detail, in the end, it's a love story, as so many of the most excellent books are."–Esquire "The novel is infused with an operatic sensibility...The Queen of the Night is a celebration of these women of creativity, ingenuity, endurance, mastery and grace–a gala in their honor." –Kelly Gardiner, New York Times "Epic...Brilliantly extravagant in its twists and turns and its wide-ranging cast of character." –Julia Felsenthal, Vogue "[An] extravagant five-act grand opera of a novel...Chee's writing is cultured and confident, and the elite society he depicts is dazzling...Readers willing to submit to the spell of this glittering, luxuriantly paced novel will find that it rewards their attention, from its opening mysteries to its satisfying full-circle finale." –Sam Sacks, Wall Street Journal "A sweeping, richly detailed historical novel about a young woman's tumultuous trajectory from circus rider to renowned soprano at the Paris Opera." –Kim Hubbard, People "An opera of the page, complete with seduction, hidden identity, betrayal and plenty of costume changes...It's the ball gowns and roses, magic tricks and ruses, hubris and punishment that will keep the reader absorbed until the final aria." –Sarah Begley, Time "Gorgeous prose...Extraordinarily beautiful and dramatic, a brilliant performance." –Wendy Smith, Washington Post "[A] postmodern bodice ripper...It just sounds terrific. It sounds like opera...It offers a rare, intriguing psychology: the heart as a buried place, where someone is hiding, singing–words you can't quite hear." –Joan Acocella, The New Yorker "[A] wild opera of a novel...Swift, smart, immersive, and gorgeous." –Garth Greenwell, The Guardian &n –
