**A New Yorker Best Book of 2024**
"Polek elegantly fashions an ode to small and privately felt moments of beauty, and to art's capacity to reach through time."
–The New Yorker "An enthralling, almost spiritual account,
Bitter Water Opera speaks to the desire for self-creation through destruction. Nicolette Polek invites us to crack open a window that exits to the impossible . . . [and] to grapple with the fleetingness and eternity of existence."
–Rosemary Ho, Columbia Journal of Literary Criticism "Breathtaking sensitivity. . . . A delightfully peculiar meditation on imagination–as maladaptive crutch, creative tool, and steppingstone to peace."
–Kirkus Reviews "Exuberant and improbable,
Bitter Water Opera is a wonder work of noticing. At times a field guide, a compass, a low-key pilgrimage. Built with each precise line, a chimera of meaning comes into startling focus by its end. The effect of the haunted observer at the center of this limerent, faith-shaped novel is measureless. I wanted to travel with her indefinitely."
–Marie-Helene Bertino, author of Beautyland "I found
Bitter Water Opera mesmerizing. It reminded me of a book I loved when I was young, written by Alain-Fournier, called
The Wanderer. A book dense and delicious with God-made language and violent emotion. This is an original for the twenty-first century."
–Fanny Howe, author of Love and I "A lush and dreamy 'storybook-like' novel, reminiscent of Leonora Carrington and Sylvia Townsend Warner,
Bitter Water Opera asks if we can change our lives–or make choices at all–if we can dwell in possibility 'as if permanently, ' if we can allow enchantment into 'the realm of the real.' This is a work of subtle, spiritual intelligence."
–Elisa Gabbert, author of The Unreality of Memory "Nicolette Polek's
Bitter Water Opera is my favorite type of book, a book that only its author could write. In these short, propulsive chapters, Polek writes about the biggest questions and creates a new allegory concerning faith and identity. It's a real garden of a book, full of mysteries and mustard seeds. She shows us a door and asks us to open it, to see what others cannot see. I was astonished."
–Scott McClanahan, author of The Sarah Book "Read
Bitter Water Opera for the beautiful theologically brilliant prose and also for Gia, its heroine, whose wonder and longing pull a mentor-spirit out of the netherworld. 'The world seemed more broken than usual, ' writes Nicolette Polek, a feeling, in our current moment, impossible not to identify with. But the grace and limerence in these pages helped me and I believe they will help you."
–Darcey Steinke, author of Flash Count Diary