"Setting out from cybernetics' collusion with neoliberal financialization, and probing the increasingly urgent question of the posthuman, Barrett's compelling book asks 'how to recompose posthumanism'. Deepening our understanding of experimental music's journeying in postformalist artistic territories, and infused by critical race, queer, and feminist thinking, Barrett dialogues with the visionary work of six artists who cut through and reconfigure our troubled relations with technology through inventive practices that insistently bring the social and political back in."
–Georgina Born, professor of anthropology and music, UCL and global scholar, Princeton University