"When you look at a photograph, whose expression do you see? This is a question of perception, but it is also a question of property rights. The Unintended considers 'stories about photography's history as property' and shows how much is at stake when someone claims to own an image. Expression gives way to possession, and matters of law, credit, identity, and aesthetics all hang in the balance. Monica Huerta seems to deliver a surprising analytic turn on every page. This book made my head spin."–Caleb Smith, author of Thoreau's Axe: Distraction and Discipline in American Culture