What Churchill has written is a striking memento mori for an age without faith; and although her play is brief, that in itself evokes the idea that we are here for a short time and then are suddenly gone.– The Guardian on Here We Go
Line by line it’s hard to imagine you’ll come across a more brilliant play this year . . . and what makes Escaped Alone a great play is that it is strangely euphoric: spiked with terrible, apocalyptic foreboding, yes, but Churchill’s funniest since Serious Money, and with an incredible gift for spinning light out of the dark.–Time Out London on Escaped Alone
The prolific repertoire of Caryl Churchill gains two thrilling new entries with Here We Go and Escaped Alone, both exemplary of her notoriously dark, witty work. Creeping and ruminative, Here We Go acts as a chilling reminder of our own mortality (The Guardian), with a three-part examination of death and its aftermath. Escaped Alone considers a notably broader demise: the apocalypse. Through the musings of four older women idly chatting in an English back garden, the fate of the world is outlined in an unsettling revelation of mankind’s own self-destruction.
Caryl Churchill has written for the stage, television, and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest , and A Number. In 2002, she received the Obie Lifetime Achievement Award and in 2010, she was inducted into the American Theater Hall of Fame.