Ferrara says she wrote the book the way she talks to friends over dinner, and that's exactly how it reads. Instead of telling a chronological history of writing, she moves freely from script to script, island to island . . . She is constantly by our side, prodding us with questions, offering speculations, reporting on exciting discoveries . . . . her book doubles as a manifesto for collaborative research. –Martin Puchner, The New York Times Book Review
In Silvia Ferrara's conception of it, writing is a fragile object, nurtured over many phases of human development . . . The Greatest Invention is a celebration not of achievements, but of moments of illumination
and 'the most important thing in the world: our desire to be understood.'" –Lydia Wilson, The Times Literary Supplement
If one has any doubts that the ancient past deserves our attention as much as the future Ferrara also energetically imagines, this book should dispel them. Encountered at the right time, this book could ignite a passion, even change a life.
–Booklist (Starred Review)
Ferrara's survey is intricate and detailed, bolstered by photos and drawings of the various writing forms . . . The result is an intellectual feast.
–Publishers Weekly (Starred Review)
Part reconnaissance, part time machine, part ode to our complex species, Ferrara's enchanting book unearths not only our writing systems but our humanity itself
. –Amanda Montell,
author of Cultish: The Language of Fanaticism
and Wordslut: A Feminist Guide to Taking Back the English Language
From Crete to Easter Island, everywhere in between, and back again, Ferrara illuminates the sheer magic that the invention of writing actually was, while also sharing the pure joy of being a scientist.
Plus, the translation is exquisite
. –John McWhorter
, author of Nine Nasty Words: English in the Gutter: Then, Now, and Forever
and Woke Racism: How a New Religion Has Betrayed Black America Deftly translated
by Portnowitz, Ferrara's book is more than a cook's tour of the history, present, and future of writing . . . Ferrara capably conveys the sensory magic of writing: sound made visible and tangible.