"Fry has combined meticulous research with careful and creative use of sources from the worlds of music, film, history and popular culture more generally to produce an account that might, finally, bury the perennial (and perennially misguided) idea that Europeans and especially the French understood and appreciated jazz before Americans did. The story is false not only because African American and other U.S.-based supporters of jazz seem not to be 'Americans' in that version of history, but also because, as Fry eloquently argues, the French at times tried to claim jazz as their own creation, because ethnocentrism and paternalism were rarely absent from what they wrote, because the music and the musicians were often proxies in debates over national culture, and because musicians had reasons for living in France that previous scholars have failed to describe completely."
–Travis Jackson "University of Chicago"