Named a Best Poetry Book of 2022 by Library Journal
"McCrae's poems possess a self-reflective quality without being burdened by history. As in Beckett and Whitman, repetition generates a self-searching, hypnotic music. His poetry moves freely within the restricted syllabic lines, constructing a wild, vivid dreamworld . . . [
Cain Named the Animal] confirms McCrae as one of the most erudite and inventive poets of our time, throwing punches at the English language and its hierarchical traditions." –Kit Fan,
The Guardian (UK) "What [McCrae] observes at the end of 'Worldful, ' 'but what life does / Not have to be reduced to be imagined, ' is true of any description or summary of the best of these lyrics. Praise is due for their craft, but even more so for their imaginative power." –Michael Autrey,
Booklist "McCrae's poems allude to literary precursors like Dante, Milton, and the Bible, but the voice is unabashedly of our time . . . By seeking to heal the rift in his own identity, McCrae has listened intently to the literary echoes emanating from the English language and transmuted them through his own dynamic voice." –David Woo,
Poetry "[Shane McCrae] is peer to the peerless . . . You can feel the stage on the page here, poems that even as blotted ink on middle-weight paper seem to have sound." –B. A. Van Sise,
New York Journal of Books "Prophetic and necessary . . . This dazzling collection tests the limits of language, memory, and mythmaking in wildly inventive, often devastating ways." –
Publishers Weekly "Readers will marvel at McCrae's ability to achieve Miltonic scope with such economy of expression." –
Library Journal
