"In Chapman's Whole Works of Homer . . . English is spendthrift, inebriate with waste motion, at times precious and as yet uncertain of its coruscating force. It is also the language of Elizabethan and Jacobean drama, charged with sensory, corporeal thrust. At moments, it is already exact in that manual, pragmatic vein which is the virtue of English. At others, it comes armed with lyric sorrow. Homer, as Chapman construes him . . . makes the English language know itself and impels it to cast its lexical-grammatical net over a thronging prodigality of life."–-George Steiner, Homer in English