Praise for Something Bright, Then Holes (2018)
"Nelson's nexus is fluidity: gender, pleasure, desire, and the body are questioned with equal rigor as modality, criticality, and theory. Those concerns are present in Something Bright . . . But in this collection, Nelson's heady, narcotic philosophizing is underpinned by a more personal vulnerability." –The Paris Review
"Maggie Nelson's gorgeous, expansive book of poetry feels like a necessary summer read, not least because of Nelson's ability to so palpably, grotesquely, beautifully make clear the urgency of love and f*cking, as she does in the book's titular poem." –NYLON, 1 of 46 Great Books to Read This Summer
"Soft Skull Press has released a gorgeous reissue of Nelson's Something Bright, Then Holes and, despite being originally published in 2007, it's easily one of the best books of 2018. . . . Maggie Nelson elicits genuine awe with each turn of the page. . . . Something Bright, Then Holes is candid and heartfelt, blurring the lines between poetry and storytelling fluently and with thoughtful contemplation. These poems swathe their reader and craft a voyeuristic sense of empathy; it's as if you're not supposed to be there. Yet, here you are." –Popscure
"Maggie Nelson's fourth collection of poems, originally published in 2007, combines a wanderer's attention to landscape with a deeply personal exploration of desire, heartbreak, resilience, accident, and flux."–Medium, 1 of 10 Poetry Collections to Get You Through This Month
"This re-issue of Nelson's 2007 collection of poems shows the celebrated author in her most incisive and economic form–a record of a protean talent in the making." –Largehearted Boy, Librairie Drawn & Quarterly Book of the Week
"Nelson's 2018 reprint provides precise evidence of her singular and true innovation in content, form, and timeless(ness). It drops controlled dollops of poetic meter, rhyme, and lyricism. It steals from multiple styles (Nelson cites her "thefts" on the acknowledgement page), it exudes nuanced understanding of postmodernity. It cries with confession; boxes with language. Nelson is raw, honest, rough, and tender." –The Brooklyn Rail
