"Companion to an earlier volume, Early Writings (1977), and the original Collected Poems (1971), this is a portion of an anticipated complete collected poems of O'Hara. American poet Bill Berkson's introduction comments on O'Hara's self-described act of writing as 'at once as mysterious and practical as there has ever been of the relation of poetry to experience.' VERDICT: Add to the aforementioned companion volumes to create a loose Collected, or let stand as is. Either way retrieve an O'Hara collection–he's essential."–Annalisa Pesek, Library Journal
"For those of us who adore the meandering colloquialisms of this quintessential New York School poet, finding this trove of drafts and wanderings is an extra treat. O'Hara's inimitable exuberance pushes through, crafting a poetry that can explode out of almost anything, dramatizing the music of thinking. 'The sea was calm and pale. / Almost polite. Whatever / had it meant to us, what / will you mean to me, does / nothing end?' asks O'Hara. He can't answer, of course. Things do end. Thankfully, we get more of him."–Tess Taylor, Barnesandnoble.com
"Scholars and first-time readers will delight in this previously uncollected volume of O'Hara's poems . . . "–American Poet
"What we have here is a lot of poetry worth experiencing, and a radiant reminder that the later work is connected to gifts O'Hara displayed as a young man. Read and recite these poems. Dance a little while you do . . . "–Barbara Berman, The Rumpus
"A revised and expanded edition from the essential West Coast publisher City Lights in San Francisco. Frank O'Hara was the epitome of the New York City poetry scene in the second half of the Twentieth century . . . O'Hara was a livewire poet."–Sophia Nitrate, Beat Scene Magazine
" . . . Poems Retrieved is a welcome edition to any reader's bookshelves–be she a casual peruser or a credentialed O'Hara scholar."–Erika Jo Brown, The Quarterly Conversation
"The 'revolutionary piano thunders' and genius Frank O'Hara is re-retrieved in this essential condensary of solid gems, companion to all the other oeuvre. Yet no burden here. He wears his erudition and urgency lightly, and his kinetic juxtaposing 'moves' keep startling scholars, fans, and new converts alike. Pleasure morphs with a metaphysical zone as O'Hara's polished surface is cut into deeper to form complex and spirited love poems. They only grow stronger, more mysterious, through vintage time and space. When I met him I saw that jaunty leonine head leading the generous heart 'and my wristwatch became rusty with happiness.'"–Anne Waldman, poet and author of The Iovis Trilogy
"While the reputation of many mid-twentieth century poets has declined, Frank O'Hara's keeps rising and rising: today's readers cannot get enough of his brave, jaunty, self-lacerating, funny, poignant, mysterious, and always surprising lyric. Poems Retrieved, originally published in 1977 by the late Don Allen's Grey Fox Press and long out of print, contains more than 200 pages of poems that Allen found after he had assembled the monumental Collected Poems for Alfred A. Knopf in 1971. As Allen noted in his Preface, and as Bill Berkson shows us in his excellent new introduction, these 'poems retrieved, ' ranging as they do over O'Hara's entire career, are a necessary complement to the Collected, an integral component of the poet's oeuvre. No one interested in O'Hara's poetry–indeed, no one interested in the poetic ethos of the American 1950s and '60s–can afford to be without this volume."–Marjorie Perloff, Professor Emerita of English at Stanford University, and author of Frank O'Hara: Poet Among Painters
"I'm proud to say that I still have my original copy of
