The book's concluding pages are delightfully enigmatic, fogged over just enough with metaphor that it's impossible to say quite what happens. Likewise, we never really know if the mantis has empowered Lena or seduced her into shameful political violence. That's all toward the beauty of Pelevin's project: a satire sharp enough to score points against the malign, yet retentive of a fine negative capability that takes these very same targets and makes of them a document that shimmers with the evasiveness of art.–Scott Esposito "The National"
