A love letter to the verbal artistry of hip-hop, What’s Good is a work of passionate lyrical analysis
“What’s Good is, among a great many other things, a byproduct of joyful obsession and immersion into both language and sound, an intersection that offers a rich and expansive land upon which to play.” —Hanif Abdurraqib, author of A Little Devil in America: Notes in Praise of Black Performance
” . . . an often hilarious, surprisingly moving and always joyful paean to rap’s relationship to words.”–Jayson Greene, The New York Times
What’s Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap’s use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies.
Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What’s Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between.
“For those of us who love rap, What’s Good is a gift. The book offers a new set of eyes and ears through which to see and to hear the language of rap. Its brief and brilliant chapters are like the best kinds of freestyles: spontaneous and structured, startling and profound. A remarkable achievement.” –Adam Bradley, author of Book of Rhymes: The Poetics of Hip Hop
“Could this be the rap equivalent of Lewis Hyde’s The Gift or Marina Warner’s Once Upon A Time? Anyhow, it’s an electrifying book, full of wild epiphanies and provocations, an exhibition of a critical mind in full and open contact with their subject at the highest level, with a winning streak of confessional intimacy as well.” —Jonathan Lethem, author of The Arrest: A Novel
“What’s Good is a feat of critical precision and personal obsession: Daniel Levin Becker’s deep appreciation for rap is rangy and illuminating, and his delight in language is infectious. What a thrill to swing so gracefully from Lil Wayne to Mary Ruefle to the lyrical evolution of ’tilapia’; pure pleasure. A generous, joyful exegesis.”–Anna Wiener, author of Uncanny Valley: A Memoir
Praise for What's Good:
"A book filled with such love and thoughtfulness and fun has to come from a fan; who but a genuine devotee would use his introductory chapter to provide a deep reading of 50 Cent's 'In Da Club?'"–Adam Ellsworth, The Arts Fuse
"Music aficionados and hip-hop lovers will savor every bit."–Publishers Weekly
"All in all, What's Good is an enlightening, self-aware, and deeply satisfying look at the wondrous ways rap music uses language. It is absolutely essential reading on hip-hop–and one of the smartest books about music I've read."–Ian Port, author of The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll
"What's Good: Notes on Rap and Language is a celebration of the artistry and craft of rap lyrics written in a way that only Daniel Levin Becker could, with his sharp eye for linguistic experimentation and his appreciation for the ways rappers have been able to turn English inside out. His fascination is contagious as he revels in the incredible vitality of this ever-morphing lexicon, from its rhymes to its slang to its creation of new modes of meaning. It's the book us lovers of music and language had no idea we needed."–Emma Ramadan, Riffraff Books, Providence, RI