Tau/Journey to the End

"Here are Philip Lamantia's light-scattering jewels of the Fifties!"–Michael McClure, author of Huge Dreams: San Francisco and Beat Poems

"The rediscovery of Tau is the literary equivalent of finding lost treasure. Alchemical gold–blood of pure imagination–courses through these lines by the magus of American poetry."–Andrew Joron, author of The Cry at Zero: Selected Prose

"To some, Philip Lamantia (1927-2005) needs no introduction, but to others he may. Let it suffice to say that the San Francisco-born surrealist was one of the most significant American poets of the latter half of the 20th century, participating in the San Francisco Renaissance and associating with the Beats, though remaining aloof from their aesthetic[. . . .] Among [the] hidden gems [of the Philip Lamantia Bancroft papers] was one complete manuscript, Tau, announced for publication by Bern Porter in 1955 but withdrawn by the poet because of his evolving religious beliefs. By all rights, Tau should have been his second book, and I later had the pleasure of editing it for publication as #59 of the City Lights Pocket Poets series (2008)."–Garret Caples, Bancroftiana

"These are the early poems of Philip Lamantia that he was supposed to read at the famous Six Gallery reading in 1955, when Allen Ginsberg read 'Howl.' Philip had misgivings about these poems, because he didn't think that they were worthy of his newly-found or re-found Catholic faith. From 2008 it's hard to see the problem: "On a smiling crevice of street, / He cuts, for death, the diamond of her eye: / Star plumed hands put it / Burning on his brow." Sounds pretty Fra Angelico to us. John Hoffman (1928-1952) was Philip's friend who died young and wrote luminous Zen-inspired works. 'Therefore unattained is / The sudden attainment.'"–Andrei Codrescu