"I love how curious and sensitive these readings of pictures are, bringing me into the photographer's mind. I felt I was seeing some images (that I know well) for the first time. The writing is totally visual, stimulated, and stimulating, whether it is dealing with Julianne Nash in 2017, or a daguerreotypist in 1839. Even when Rexer is telling me something I already know historically, it feels like being there, and I am getting to know it in a new way."–Lisa Kereszi, Director of Undergraduate Studies in Art, Yale School of Art